![]() Some seats are so uncomfortable that their legend lives in the hearts, minds and butts of Twin Cities theatergoers. “If you go to the Orpheum balcony, for instance, where the rise is steeper, those balcony seats - and this is going to be true of all of these remodeled movie palaces - they wanted to give the seats up above a clear view but they had to crowd them in more, so there’s less legroom,” said Jim Sheeley, president of the Historic Theatre Group, which manages the Orpheum and State. One place not to look for legroom? The rafters. (Ease seems to be a priority at Old Log, which sells only 365 of its 560 seats for adult shows because there wouldn’t be enough room for everyone to park in the lot.) Old Log Theatre prides itself on “the best leg space in town.” It might have to arm-wrestle Children’s Theatre for that title, but Old Log advertises 18 to 19 inches of room between rows. In the McGuire Proscenium Stage at the Guthrie, Rows AA and BB have to be removed for some sets, but, if they’re available, they’re very leg-forward. At the Ritz, it’s also E, a row of movable chairs in front of the second bank of seats (Latté Da often puts actors in this area, so you may need to pull in your feet if a performer approaches). But sometimes, there’s a whole row that offers extra legroom.Īt Jungle Theater, that’s spacious Row D, where even Lynx center Sylvia Fowles could stretch her legs if she wanted to. ![]() Even that varies - seats at the State Theatre, for instance, are much more staggered than at the Orpheum.Īll theaters have an option that gets you more legroom: aisle seats. ![]() Alternating the widths allows theaters to stagger sightlines while maintaining a straightish line along the aisles. The key reason for differing widths is to avoid positioning seats directly in front of one another. Conversely, Row C is close to the stage but contains five 19-inchers, the narrowest seats in the house. Paul gets you on the aisle, with great legroom and one of the roomiest seats in town at 23 inches, all for the venue’s lowest price. That might sound expensive, but at some theaters neither width nor aisle placement determines pricing. Let’s say you want the widest seat and you want it on the aisle. Continue reading for those and other factors to keep in mind. Most reservationists are armed with tons of intriguing info about size, comfort and even color of seats. Guthrie marketing/communication director Trisha Kirk, who started out selling tickets in the theater’s box office, suggests making a call and saying, “I have some special seating needs. At many theaters, seats right behind the first couple of rows sell fastest, which is why you need to move quickly if you want to sit in rows 3-8 at Theater Latté Da’s Ritz Theater in Minneapolis.īut it’s not all about price, which is why the box office staff is your new best friend. ![]() Prices can identify primo spots - Children’s Theatre Company’s “VIP” section is also its costliest: 69 dead-center seats in the third through seventh rows. Maybe you’re famous, so you want the best seat in the house.īut even “the best seat in the house” is open to interpretation. Maybe you like the center of the row but your friend is an aisle woman. A must-have for one theatergoer might not matter to another. That doesn’t mean one seat is better than another. Most of those things are true of every theater in town. The slope of the rows - and the possibility that your view will be affected by the big-haired person in front of you - varies dramatically. There are four different seat widths around the Guthrie’s Wurtele Thrust Stage, for instance. There are huge variations, and once you know about them, it could change the way you order tickets forever. In a theater full of empty seats, they all look the same, right? Wrong.
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